Questão de Língua Portuguesa

Língua estrangeira – Língua inglesa Text 1A15 Last year, I had a strange dream. My father and I were walking through a canal with difficulty as thousands of fish were released around us. In the dream, I knew that the fish thought they were drowning, as if they had to face death before becoming adults. The next day, my father told me that when I was three, he had taken me to see fish being put into a pond. I could not remember it, but the vision had stayed in my mind. Memories, like images, can return years later in unexpected ways. Today, it is common to see old images suddenly appear online. We spend hours looking at photos that record our daily lives in ways never seen before. For young people under twenty-five, who have grown up with social media, childhood is no longer private or mysterious. According to Kate Eichhorn, a media historian at the New School, this constant exposure is sure to affect how identity develops, although we are not yet sure exactly how. Eichhorn explains that there are two sides. On the positive side, children and teenagers have more control than before. In the past, adults were the ones who decided how childhood should be remembered, using books, photo albums, or home videos. Today, young people can create and share their own images without depending on adults. This gives them the power to tell their own stories and decide what to remember about their lives. On the negative side, social media can make it difficult to leave the past behind. We are not the only ones posting—our friends and families also share moments of our lives, often without asking us. This makes it hard to forget mistakes or change identities. Eichhorn warns that the danger now is not that childhood disappears, but that it might never end, because the past is always visible online. It would, indeed, be surprising if we could see painful memories as finished and gone. But most difficult experiences are not captured on screens. Social media shows only part of life, often the happy or triumphant side, and leaves out the tears and struggles. What remains online is rarely the full truth, but fragments that stay with us, shaping how we remember ourselves. Nausicaa Renner. How Social Media Shapes Our Identity. Internet: <www.newyorker.com> (adapted). Questão 11 In text 1A15, the author mentions that childhood is no longer private or mysterious for those who grew up with social media. The main idea behind this statement is that A childhood has disappeared because children no longer have any control over their privacy. B adults are the only ones who can record and control children’s memories. C young people now have complete freedom to forget their past mistakes. D childhood experiences are more exposed today because of constant online sharing. E social media prevents people from remembering their past. Questão 12 According to the ideas of Kate Eichhorn, media historian mentioned in text 1A15, one of the positive effects of the use of social media by young people is that they A avoid the risk of making mistakes during adolescence. B no longer need to interact with family members. C can create and share their own images, telling their own stories. D are less exposed to the opinions of their friends and relatives. E can easily erase past experiences from the Internet. Questão 13 In the third paragraph of text 1A15, the pronoun “them”, in “This gives them the power to tell their own stories and decide what to remember about their lives” (last sentence), refers to A “young people” (fourth sentence). B “two sides” (first sentence). C “adults” (fourth sentence). D “books, photo albums, or home videos” (third sentence). E “their own images” (fourth sentence). Questão 14 It is correct to conclude from text 1A15 that what makes it difficult for young people to “leave the past behind” (fourth paragraph) is A the lack of opportunities to express themselves through images. B the constant presence of online records, including posts from friends and family. C the loss of childhood innocence caused by adults. D their own refusal to use new technologies. E the fact that social media shows only the negative aspects of life. Questão 15 Choose the option in which the fragment “this constant exposure is sure to affect how identity develops” (last sentence of the second paragraph of text 1A15) is adequately translated into Portuguese. A essa exposição constante está com certeza afetando o desenvolvimento da identidade B essa exposição constante está certa em afetar o desenvolvimento da identidade C é certo que essa exposição constante afetará o desenvolvimento da identidade D seguramente essa exposição constante afetou o desenvolvimento da identidade E essa exposição constante deveria afetar o desenvolvimento da identidade Língua estrangeira – Língua espanhola Arranca el rodaje de Amarga Navidad, la nueva película de Pedro Almodóvar Pedro Almodóvar ha entrado en una nueva etapa creativa con el comienzo del rodaje de Amarga Navidad, su más reciente proyecto cinematográfico. La historia se centra en Elsa, una directora de publicidad cuya existencia da un vuelco tras la pérdida repentina de su madre durante un puente festivo en diciembre. La protagonista reacciona sumergiéndose obsesivamente en el trabajo, una estrategia que la ayuda a postergar el enfrentamiento con su dolor. Sin embargo, una crisis de pánico obliga a Elsa a frenar y replantear el sentido de su vida y el manejo de sus emociones. El quiebre en la vida de Elsa la lleva a buscar refugio en Lanzarote, donde viaja con su amiga Patricia para romper con la rutina de Madrid y el entorno que le recuerda constantemente a su madre. Su pareja, Bonifacio, permanece en la capital, acentuando la sensación de distancia y búsqueda de uno mismo que atraviesa la protagonista. La presencia de Raúl Durán, un guionista y director de cine, introduce una dimensión meta narrativa a la película: la interacción entre la historia de Elsa y la de Raúl abre un espacio donde los límites entre ficción y vida real se diluyen y se tensan, generando un relato de gran fuerza emocional y profundidad. Internet: <www.infobae.com> (con adaptaciones).